INTERVIEWS:
Jack Chambers
Bill Cobham
Mike Nock

COLUMNS:

Harmony: Introductions & End
Scales: Beginning on a note other than the root
Rhythm: The Jazz Cymbal Beat
Melody: How To Develop Your Own Sound
Styles: Bebop and Blues From Bird To Barron, by Don Glanden
Modes: Modes and the Creative Process: An Analysis of Miles Davis’ Approach in Kind of Blue, by Eugene Uman
Repertoire: Learning A Song and Improvising On The Song, by Mika Pohjola
Analysis: The Miles Davis Quintet Of The Mid-1960s: Synthesis of Improvisational and Compositional Elements, by Todd Coolman
Perspective My Lessons With Irv – How One Student Taught Me The Value of Conserving Conscious Energy
Play-Along: "Confirmation" from David Berger’s, Contemporary Jazz Studies, Volume 3, Published by Charles Colin
Motivation: Experiencing The Moment
Business: Where The Gigs Are (Or Aren’t)

BOOK EXCERPTS:
Milestones – The Music & Times of Miles Davis (Chapter 9: Pfrancing), by Jack Chambers;Published by Da Capo Press
The Sax and Brass Book
All Music Guide To Jazz
Salsa, Further Adventures In Afro Cuban Music For Piano
Jazz Gentry – Aristocrats of The Music World
Serge Chaloff - A Musical Biography
Hot Jazz From Harlem To Storyville
The International Sweethearts of Rhythm
A Tale Of Two Albums – The Musicians’ Dilemma vs. The Doctor’s Dilemma

TRANSCRIBED SOLOS:
Miles Davis, Trumpet Solo, "Miles Away" from the book The Original Cool Sounds Of Miles Davis 166

Kenny Barron, Piano Solo, “There Is No Greater Love," Transcribed by Eric Nemeyer

Peter Ballin, Tenor Sax Solo, "Cat Paw Skipper," from the album Transmogrified, by Uncle Art on Beezwax Records

Hank Mobley, Tenor Sax Solo, "Bye Bye Blackbird," from the album, Miles Davis In Person, Friday Night, Columbia Records, Transcribed by Eric Nemeyer

Wynton Kelly, Piano Solo, "Bye Bye Blackbird," from the album, Miles Davis In Person, Friday Night, Columbia Records, Transcribed by Eric Nemeyer

Wynton Kelly, Piano Solo, "On Green Dolphin Street," from the album Miles Davis In Person, Friday Night, Columbia Records, Transcribed by Aaron Garner

Kenny Barron, Piano Solo, "Anthropology," from the album Feelin It Together, 32 Jazz, Transcribed by Eric Nemeyer

SONGS:
Confirmation, Composed by Charlie Parker
Ornithology, Composed by Charlie Parker
Seven Come Five, Composed by Larry Steen
Son Finite Le Vergini,Composed by Tino D’Agostino
For Thomas,Composed by Randy Johnston
Ozboppin,Composed by Mike Nock (Recorded on Mike Nock’s album Ozboppin’, Naxos 86019)
The Emperor’s Clothes, Composed by Mike Nock, (Recorded on Mike Nock’s album Ozboppin’, Naxos)
The Philosophers, Composed by Mike Nock, (Recorded on Mike Nock’s album Ozboppin’, Naxos)
Snafu, Composed by Mike Nock (Recorded on Mike Nock’s album Ozboppin’, Naxos)
Quiet Earth, Composed by Peter Kienle, (Recorded on Beeble Brox’s CD Dominant Domain)

ANALYSIS:
Confirmation, Composed by Charlie Parker
Ornithology, Composed by Charlie Parker
Virgo, Composed by Wayne Shorter
There Is No Greater Love, Composed by Isham Jones, Analysis of the beginning of Kenny Barron’s Piano Solo
Anthropology, Composed by Charlie Parker

EXERCISES, SCALES, PATTERNS
Scales – Stella By Starlight
Scales – If I Were A Bell
Chords – Ornithology
Chord Permutations – Ornithology
Scales – Confirmation
Intervals – Just Friends Patterns – All Of You
Patterns – Virgo